In the middle of the Rosetta Getty showroom in Tribeca, a small mysterious room had been set up encircling a kind of aquarium pool filled with white fog, and a glass sculpture laid on a metal rod across it. It was an installation by the artist Hayden Dunham. “The whole premise is about healing and regenerating,” explained Getty. “This is a pool of scents like hyacinths and lilies and all of these herbs that actually clear the air and detoxify. She was also in the fires [in Los Angeles], so we were both sort of in that mode through these last months.”
Getty and Dunham worked together developing the collection, and their penchant for “different levels of satin and shine to achieve a depth of coziness” gave this season a moodier feel. Heavy satin looked cool and modern, especially the hexagon-shaped skirt and her take on the tracksuit, which had a blouson-style jacket and a wider leg pant. “It seems appropriate right now because we want to feel beautiful and we want to look special, but we’re also on the run and we need to function,” said Getty. A lighter satin used on slip dresses and trimmed with lace was more feminine than usual for the designer. “I feel like we found our way with lace because it’s been sort of a love/hate relationship,” Getty said. A Bauhaus-inspired print added the only dose of color this season—it was all neutrals—but done in an allover sequin dress it brought a dose of lightness and whimsy to the collection.
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